Vocabulary Acquisition and Use
ELA.L.4.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 4 reading and content, choosing flexibly from a range of strategies.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
Key Ideas and Details
ELA.RL.5.2: Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.5.1: Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.
Activity | Page |
---|---|
The Main Character | 12 |
Setting the Scene | 14-15 |
Choice Words | 18 |
Section I Teacher Instructions | 20 |
The Buildup | 23 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Section IV Teacher Instructions | 41 |
Section V Teacher Instructions | 48 |
Weaving a Metaphor | 51 |
A Novel Poster | 66-67 |
Key Ideas and Details
ELA.RL.5.3: Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact).
Activity | Page |
---|---|
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Craft and Structure
ELA.RL.5.4: Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Craft and Structure
ELA.RL.5.5: Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Three in One | 38 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
Craft and Structure
ELA.RL.5.6: Describe how a narrator's or speaker's point of view influences how events are described.
Activity | Page |
---|---|
The Buildup | 23 |
In Mama's Mind | 25 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Section IV Log-In | 47 |
Difficult Decisions | 50 |
The End Is the Beginning | 53 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Character Interview | 68 |
Integration of Knowledge and Ideas
ELA.RL.5.7: Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).
Activity | Page |
---|---|
Judging a Book | 8 |
Range of Reading and Level of Text Complexity
ELA.RL.5.10: By the end of the year, read and comprehend literature, including stories, dramas, and poetry, at the high end of the grades 4-5 text complexity band independently and proficiently.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Phonics and Word Recognition
ELA.RF.5.3: Know and apply grade-level phonics and word analysis skills in decoding words.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Fluency
ELA.RF.5.4: Read with sufficient accuracy and fluency to support comprehension.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Text Types and Purposes
ELA.W.5.1: Write opinion pieces on topics or texts, supporting a point of view with reasons and information.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Four New Views | 32 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
An Elemental Choice | 62-63 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.5.2: Write informative/explanatory texts to examine a topic and convey ideas and information clearly.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.5.3: Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences.
Activity | Page |
---|---|
In Mama's Mind | 25 |
Section I Log-In | 27 |
Section II Log-In | 34 |
Section III Log-In | 40 |
Section IV Log-In | 47 |
Section V Log-In | 54 |
A New Point of View | 59 |
Filming Esperanza | 72 |
Production and Distribution of Writing
ELA.W.5.4: Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Production and Distribution of Writing
ELA.W.5.5: With guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.
Activity | Pages |
---|---|
Sum It All Up | 56-57 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
Research to Build and Present Knowledge
ELA.W.5.8: Recall relevant information from experiences or gather relevant information from print and digital sources; summarize or paraphrase information in notes and finished work, and provide a list of sources.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
Section I Log-In | 27 |
Section II Log-In | 34 |
Section III Log-In | 40 |
Section IV Log-In | 47 |
Section V Log-In | 54 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Research to Build and Present Knowledge
ELA.W.5.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Research to Build and Present Knowledge
ELA.W.5.7: Conduct short research projects that use several sources to build knowledge through investigation of different aspects of a topic.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
Building a Story | 46 |
The End Is the Beginning | 53 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
Range of Writing
ELA.W.5.10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Comprehension and Collaboration
ELA.SL.5.1: Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 5 topics and texts, building on others' ideas and expressing their own clearly.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Language Locator | 33 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
The End Is the Beginning | 53 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Comprehension and Collaboration
ELA.SL.5.2: Summarize a written text read aloud or information presented in diverse media and formats, including visually, quantitatively, and orally.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Discussing Historical Fiction | 61 |
Comprehension and Collaboration
ELA.SL.5.3: Summarize the points a speaker makes and explain how each claim is supported by reasons and evidence.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
Presentation of Knowledge and Ideas
ELA.SL.5.4: Report on a topic or text or present an opinion, sequencing ideas logically and using appropriate facts and relevant, descriptive details to support main ideas or themes; speak clearly at an understandable pace.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.5.5: Include multimedia components (e.g., graphics, sound) and visual displays in presentations when appropriate to enhance the development of main ideas or themes.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.5.6: Adapt speech to a variety of contexts and tasks, using formal English when appropriate to task and situation.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Conventions of Standard English
ELA.L.5.1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Conventions of Standard English
ELA.L.5.2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Knowledge of Language
ELA.L.5.3: Use knowledge of language and its conventions when writing, speaking, reading, or listening.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.5.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 5 reading and content, choosing flexibly from a range of strategies.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.5.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.5.6: Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases, including those that signal contrast, addition, and other logical relationships (e.g., however, although, nevertheless, similarly, moreover, in addition).
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Key Ideas and Details
ELA.RL.6.2: Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.6.3: Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.6.1: Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
Activity | Page |
---|---|
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Craft and Structure
ELA.RL.6.4: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Craft and Structure
ELA.RL.6.5: Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Three in One | 38 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
Integration of Knowledge and Ideas
ELA.RL.6.6: Explain how an author develops the point of view of the narrator or speaker in a text.
Activity | Page |
---|---|
The Buildup | 23 |
In Mama's Mind | 25 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Section IV Log-In | 47 |
Difficult Decisions | 50 |
The End Is the Beginning | 53 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Character Interview | 68 |
Integration of Knowledge and Ideas
ELA.RL.6.7: Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they "see" and "hear" when reading the text to what they perceive when they listen or watch.
Activity | Page |
---|---|
Filming Esperanza | 72 |
Range of Reading and Level of Text Complexity
ELA.RL.6.10: By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Text Types and Purposes
ELA.W.6.1: Write arguments to support claims with clear reasons and relevant evidence.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Four New Views | 32 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
An Elemental Choice | 62-63 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.6.2: Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.6.3: Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
Activity | Page |
---|---|
In Mama's Mind | 25 |
Section I Log-In | 27 |
Section II Log-In | 34 |
Section III Log-In | 40 |
Section IV Log-In | 47 |
Section V Log-In | 54 |
A New Point of View | 59 |
Filming Esperanza | 72 |
Production and Distribution of Writing
ELA.W.6.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Production and Distribution of Writing
ELA.W.6.5: With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.
Activity | Pages |
---|---|
Sum It All Up | 56-57 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
Research to Build and Present Knowledge
ELA.W.6.8: Gather relevant information from multiple print and digital sources; assess the credibility of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and providing basic bibliographic information for sources.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Research to Build and Present Knowledge
ELA.W.6.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Research to Build and Present Knowledge
ELA.W.6.7: Conduct short research projects to answer a question, drawing on several sources and refocusing the inquiry when appropriate.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
Building a Story | 46 |
The End Is the Beginning | 53 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
Range of Writing
ELA.W.6.10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Comprehension and Collaboration
ELA.SL.6.1: Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 6 topics, texts, and issues, building on others' ideas and expressing their own clearly.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Language Locator | 33 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
The End Is the Beginning | 53 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Comprehension and Collaboration
ELA.SL.6.2: Interpret information presented in diverse media and formats (e.g., visually, quantitatively, orally) and explain how it contributes to a topic, text, or issue under study.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Discussing Historical Fiction | 61 |
Comprehension and Collaboration
ELA.SL.6.3: Delineate a speaker's argument and specific claims, distinguishing claims that are supported by reasons and evidence from claims that are not.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
Presentation of Knowledge and Ideas
ELA.SL.6.4: Present claims and findings, sequencing ideas logically and using pertinent descriptions, facts, and details to accentuate main ideas or themes; use appropriate eye contact, adequate volume, and clear pronunciation.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.6.5: Include multimedia components (e.g., graphics, images, music, sound) and visual displays in presentations to clarify information.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.6.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Conventions of Standard English
ELA.L.6.1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Conventions of Standard English
ELA.L.6.2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Knowledge of Language
ELA.L.6.3: Use knowledge of language and its conventions when writing, speaking, reading, or listening.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.6.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 6 reading and content, choosing flexibly from a range of strategies.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.6.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.6.6: Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Key Ideas and Details
ELA.RL.7.2: Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.7.3: Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot).
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.7.1: Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
Activity | Page |
---|---|
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Craft and Structure
ELA.RL.7.4: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Craft and Structure
ELA.RL.7.6: Analyze how an author develops and contrasts the points of view of different characters or narrators in a text.
Activity | Page |
---|---|
The Buildup | 23 |
In Mama's Mind | 25 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Section IV Log-In | 47 |
Difficult Decisions | 50 |
The End Is the Beginning | 53 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Character Interview | 68 |
Integration of Knowledge and Ideas
ELA.RL.7.9: Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.
Activity | Page |
---|---|
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
Integration of Knowledge and Ideas
ELA.RL.7.7: Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film).
Activity | Page |
---|---|
Filming Esperanza | 72 |
Range of Reading and Level of Text Complexity
ELA.RL.7.10: By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Text Types and Purposes
ELA.W.7.1: Write arguments to support claims with clear reasons and relevant evidence.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Four New Views | 32 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
An Elemental Choice | 62-63 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.7.2: Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.7.3: Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
Activity | Page |
---|---|
In Mama's Mind | 25 |
Section I Log-In | 27 |
Section II Log-In | 34 |
Section III Log-In | 40 |
Section IV Log-In | 47 |
Section V Log-In | 54 |
A New Point of View | 59 |
Filming Esperanza | 72 |
Production and Distribution of Writing
ELA.W.7.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Production and Distribution of Writing
ELA.W.7.5: With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
Activity | Pages |
---|---|
Sum It All Up | 56-57 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
Research to Build and Present Knowledge
ELA.W.7.8: Gather relevant information from multiple print and digital sources, using search terms effectively; assess the credibility and accuracy of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and following a standard format for citation.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Research to Build and Present Knowledge
ELA.W.7.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Research to Build and Present Knowledge
ELA.W.7.7: Conduct short research projects to answer a question, drawing on several sources and generating additional related, focused questions for further research and investigation.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
Building a Story | 46 |
The End Is the Beginning | 53 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
Range of Writing
ELA.W.7.10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Comprehension and Collaboration
ELA.SL.7.1: Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacherled) with diverse partners on grade 7 topics, texts, and issues, building on others' ideas and expressing their own clearly.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Language Locator | 33 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
The End Is the Beginning | 53 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Comprehension and Collaboration
ELA.SL.7.2: Analyze the main ideas and supporting details presented in diverse media and formats (e.g., visually, quantitatively, orally) and explain how the ideas clarify a topic, text, or issue under study.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Discussing Historical Fiction | 61 |
Comprehension and Collaboration
ELA.SL.7.3: Delineate a speaker's argument and specific claims, evaluating the soundness of the reasoning and the relevance and sufficiency of the evidence.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
Presentation of Knowledge and Ideas
ELA.SL.7.4: Present claims and findings, emphasizing salient points in a focused, coherent manner with pertinent descriptions, facts, details, and examples; use appropriate eye contact, adequate volume, and clear pronunciation.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.7.5: Include multimedia components and visual displays in presentations to clarify claims and findings and emphasize salient points.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.7.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Conventions of Standard English
ELA.L.7.1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Conventions of Standard English
ELA.L.7.2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Knowledge of Language
ELA.L.7.3: Use knowledge of language and its conventions when writing, speaking, reading, or listening.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.7.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 7 reading and content, choosing flexibly from a range of strategies.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.7.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.7.6: Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Key Ideas and Details
ELA.RL.8.2: Determine a theme or central idea of a text and analyze its development over the course of the text, including its relationship to the characters, setting, and plot; provide an objective summary of the text.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.8.3: Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveal aspects of a character, or provoke a decision.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
Key Ideas and Details
ELA.RL.8.1: Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
Activity | Page |
---|---|
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Craft and Structure
ELA.RL.8.4: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Craft and Structure
ELA.RL.8.6: Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor.
Activity | Page |
---|---|
The Buildup | 23 |
In Mama's Mind | 25 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Section IV Log-In | 47 |
Difficult Decisions | 50 |
The End Is the Beginning | 53 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Character Interview | 68 |
Integration of Knowledge and Ideas
ELA.RL.8.7: Analyze the extent to which a filmed or live production of a story or drama stays faithful to or departs from the text or script, evaluating the choices made by the director or actors.
Activity | Page |
---|---|
Filming Esperanza | 72 |
Range of Reading and Level of Text Complexity
ELA.RL.8.10: By the end of the year, read and comprehend literature, including stories, dramas, and poems, at the high end of grades 6-8 text complexity band independently and proficiently.
Activity | Page |
---|---|
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Text Types and Purposes
ELA.W.8.1: Write arguments to support claims with clear reasons and relevant evidence.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Checking In on Theme | 17 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Four New Views | 32 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
An Elemental Choice | 62-63 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.8.2: Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Text Types and Purposes
ELA.W.8.3: Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
Activity | Page |
---|---|
In Mama's Mind | 25 |
Section I Log-In | 27 |
Section II Log-In | 34 |
Section III Log-In | 40 |
Section IV Log-In | 47 |
Section V Log-In | 54 |
A New Point of View | 59 |
Filming Esperanza | 72 |
Production and Distribution of Writing
ELA.W.8.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Production and Distribution of Writing
ELA.W.8.5: With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.
Activity | Pages |
---|---|
Sum It All Up | 56-57 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
Research to Build and Present Knowledge
ELA.W.8.8: Gather relevant information from multiple print and digital sources, using search terms effectively; assess the credibility and accuracy of each source; and quote or paraphrase the data and conclusions of others while avoiding plagiarism and following a standard format for citation.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Research to Build and Present Knowledge
ELA.W.8.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.
Activity | Page |
---|---|
Judging a Book | 8 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Research to Build and Present Knowledge
ELA.W.8.7: Conduct short research projects to answer a question (including a self-generated question), drawing on several sources and generating additional related, focused questions that allow for multiple avenues of exploration.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
Building a Story | 46 |
The End Is the Beginning | 53 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
Range of Writing
ELA.W.8.10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Comprehension and Collaboration
ELA.SL.8.1: Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 8 topics, texts, and issues, building on others' ideas and expressing their own clearly.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Language Locator | 33 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
The End Is the Beginning | 53 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Comprehension and Collaboration
ELA.SL.8.2: Analyze the purpose of information presented in diverse media and formats (e.g., visually, quantitatively, orally) and evaluate the motives (e.g., social, commercial, political) behind its presentation.
Activity | Page |
---|---|
Symbols All Around | 26 |
Mama on the Train | 31 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Discussing Historical Fiction | 61 |
Comprehension and Collaboration
ELA.SL.8.3: Delineate a speaker's argument and specific claims, evaluating the soundness of the reasoning and relevance and sufficiency of the evidence and identifying when irrelevant evidence is introduced.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Helpful Plan | 42 |
Discussing Historical Fiction | 61 |
A Novel Poster | 66-67 |
Presentation of Knowledge and Ideas
ELA.SL.8.4: Present claims and findings, emphasizing salient points in a focused, coherent manner with relevant evidence, sound valid reasoning, and well-chosen details; use appropriate eye contact, adequate volume, and clear pronunciation.
Activity | Page |
---|---|
To Strike, or Not to Strike? | 39 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.8.5: Integrate multimedia and visual displays into presentations to clarify information, strengthen claims and evidence, and add interest.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Presentation of Knowledge and Ideas
ELA.SL.8.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.
Activity | Pages |
---|---|
A Novel Poster | 66-67 |
A Character Interview | 68 |
Conventions of Standard English
ELA.L.8.1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Conventions of Standard English
ELA.L.8.2: Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Knowledge of Language
ELA.L.8.3: Use knowledge of language and its conventions when writing, speaking, reading, or listening.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.8.4: Determine or clarify the meaning of unknown and multiple-meaning words or phrases based on grade 8 reading and content, choosing flexibly from a range of strategies.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.8.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Vocabulary Acquisition and Use
ELA.L.8.6: Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.
Activity | Page |
---|---|
Judging a Book | 8 |
Ideas, Experiences, & Opinions | 9 |
The Summaries of Its Parts | 11 |
The Main Character | 12 |
Major Minors | 13 |
Setting the Scene | 14-15 |
Conflicts of Interest | 16 |
Checking In on Theme | 17 |
Choice Words | 18 |
Examining Endings | 19 |
Section I Teacher Instructions | 20 |
The Heart of the Scene | 21 |
Storyboarding a Scene | 22 |
The Buildup | 23 |
Tio's Timeline | 24 |
In Mama's Mind | 25 |
Symbols All Around | 26 |
Section I Log-In | 27 |
Section II Teacher Instructions | 28 |
Back Story | 29 |
Two Train Rides | 30 |
Mama on the Train | 31 |
Four New Views | 32 |
Language Locator | 33 |
Section II Log-In | 34 |
Section III Teacher Instructions | 35 |
Was, Is, Could Have Been | 36 |
Learning Experiences | 37 |
Three in One | 38 |
To Strike, or Not to Strike? | 39 |
Section III Log-In | 40 |
Section IV Teacher Instructions | 41 |
A Helpful Plan | 42 |
A Series of Jobs | 43 |
Miguel and Marta | 44 |
The Strikers' Camp | 45 |
Building a Story | 46 |
Section IV Log-In | 47 |
Section V Teacher Instructions | 48 |
The Classic Plot Structure | 49 |
Difficult Decisions | 50 |
Weaving a Metaphor | 51 |
Resolved or Unresolved? | 52 |
The End Is the Beginning | 53 |
Section V Log-In | 54 |
Sum It All Up | 56-57 |
A Dynamic Protagonist | 58 |
A New Point of View | 59 |
Finding Out the Facts | 60 |
Discussing Historical Fiction | 61 |
An Elemental Choice | 62-63 |
A Novel Encyclopedia | 64-65 |
A Novel Poster | 66-67 |
A Character Interview | 68 |
The WOW Factor | 69 |
A Persuasive Letter | 70-71 |
Filming Esperanza | 72 |
My Book Rating | 73 |
Words to Know | 74-75 |
Common Core State Standards and Expectations© Copyright 2010. National Governors Association Center for Best Practices and Council of Chief State School Officers. All rights reserved.